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Beijing Daily Reporter Korean
“I was very excited. After the dance drama “Supporting Character” stopped compiling the novel, it abandoned the metaphysical storyline and doubled its efforts to seek the core of metaphysical energy.” From May 9 to 11, “Sister-in-law, are you threatening the Qin family?” The people of the Qin family blinked their eyes a little unhappily. The dance drama “Supervised RoleSugar baby” adapted from Mao Dun’s literary awards and Chen Yao’s novel of the same name premiered in the Beijing Tianqiao Arts. On the night of the premiere, the original author Chen Yao recalled the “Jing Qin’e’s posture, her whole person is a flower, very beautiful.” He took back his deep feelings, “The dance leaves more space for the timely scene, allowing me to see the resistance of a life-long battle in the flood during the time period!”
The dance drama “Supervised Role” is in Sugar daddyBeijing Tianqiao Art Middle Art Expression. Beijing Daily reporter Fang Fei
Slice of Qin’e’s life
Dance drama “Supervised Role” was produced by Beijing Art Group, produced and performed by Beijing Songs and Dance Academy, and supported by the Beijing Literature and Art Circle. The drama is supported by the Manila escortQin Opera actorSugar daddy The things that babyQin’e’s growth are the main line, showing the 1980s and 1990s from the 1970s to the rapid growth of commodity economy, and then to the Sugar daddy, which emphasizes the tradition of traditional civilization. babyThe current income ishistory landscape.
The original novel of “Supporting Role” is 780,000 words, and is adapted into a dance drama. The editor-in-chief Wang Mei did not choose the “Ping AnSugar daddy‘s character” to choose the line-based events, but instead used the perspective of memorizing Qin’e’s life slice to construct chapters such as “self-learning”, “polishing into corners”, “emotional traits”, and “consideration”Sugar daddy‘s structureSugar daddy href=”https://philippines-sugar.net/”>Sugar baby, to show the recollection and diversity of “supporting roles” abstractions. On the stage, the simplified set and detailed lectures draw the epilogue of Qin’e’s growth and period. The wooden table and chairs depict the cooking fire of the teahouse under the pursuit of light. Baby‘s atmosphere means the economic tide surging; the four-way frame circles the male and female dancers, and the marriage between Qin Escort manila‘s first husband, and her husband’s turnaround means that the crack will no longer revolve.
As a work with the western scene and Qin Opera as elements, “Supporting Characters” also contains unique regional attributes. The beauty of the Qin Opera actors’ traditional drama and dance is the music of Qin Opera, the music includes both Qin Opera style, the “School” singing, and the winding style with extremely ancient elements, which crosses the different periods of Qin E’s life.
“When you die, your cousin can be my mother. I want my cousin to be my mother, I don’t want you to be my mother.”
Refraction of the different period of time
“I haven’t taken the dance drama for a long time, thanking many people, but the theme of “Supporting Role” makes me unable to thank you.” Chief Editor’s Director SuThe purpose of the song selection is to choose the drama, “The Supporting Rose has its own solidarity and hard work. “The Supporting Role uses a big picture of the self, and is concerned about the relationship between the achievements and humiliation of Qin’e and the secret contacts of time. I rarely saw historical scenes on the dance stage before, so I must follow this drama.”
The relationship between the fate of the self and the flood during the time period is Sugar is Sugar babyWang Mei’s love for “Supporting Characters” is also the most effective point when she edits dance dramas. In the early stages of transformation and opening up, mothers must hear the truth. The traditional drama was hit by trade economy, and the market was once sluggish, and the actors switched to the industry. In the scene of the dance drama, the group dances use exaggerated steps to impress Qin’e, and as she walks through it, she walks in a few simple postures, and the delicate movements of her shoulders draw a famous solitary room. In the new century that emphasizes traditional civilization, I remember Qin’e completed the torch of the drama art with her “handsman” on the high-level stage, returned to the character herself, and left the “supporting role” component on the stage.
Dance turns to life and feel infected
When expressing the feelings between Qin’e and Manila escort, three double dances show three different forms of love: the first love that cannot be obtained due to suppression of love, love her and apply words to “strike” her husband, and truly love art because href=”https://philippines-sugar.net/”>Sugar daddyThe artist who painted naked and impaired Qin’e. Especially the first paragraph shows the double dance that remembers Qin’e and her first love lover Feng Yi, the male and female dancers have little physical contact on the dance platform, which is suppressed and emotional.
“They’s hands are very difficult, let alone talk and ask. They can only rely on their eyes to show their pull and frustration.” Wang Mei revealed that when the two-person dance was arranged, the editor and the actor spent a long time and spirit,The ultimate talent forms a strange and beautiful dance between men and women. “Dance is not only dancing, nor is it just a matter of Sugar baby cannot only seek elegance. It needs to be transformed into a sense of life.” Wang Mei said that this is the standard for her creation of “Supporting Role” and her artistic desire.
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